Poetry | An Evening with Martial Raysse - Lévy Gorvy
  • Photo of Dominique Lévy and Martial Raysse

    Dominique Lévy with Martial Raysse

  • Photo of Dominique Lévy, Martial Raysse, Leopoldie Core, and Sylvia Gorelick

    Dominique Lévy, Martial Raysse, Leopoldie Core, and Sylvia Gorelick

Story Apr 24, 2018 New York

Poetry | An Evening with Martial Raysse

March 13, 2018

Following Lévy Gorvy’s recent announcement of the representation of French artist Martial Raysse in the United States, Martial Raysse: VISAGES opened on February 28, 2018 at our New York gallery at 909 Madison Avenue. On the evening of March 1, we hosted a special poetry reading in the presence of the artist.

Gallery co-founder Dominique Lévy read poetry by Martial Raysse, and Leopoldine Core then read her poem “The Bird,” which was written on the occasion of the exhibition, and other works.

Leopoldine Core is the author of the poetry collection Veronica Bench and the story collection When Watched, which won a Whiting Award and was a finalist for the PEN/Hemingway Award. She is a 2017 National Book Foundation 5 Under 35 honoree. Her fiction and poetry have appeared in Joyland, PEN America, Apology Magazine and The Best American Short Stories, among others. She teaches at NYU and Columbia University.

Below we share two poems that were recited on the occasion: Martial Raysse’s “Au bal du cosmos…” and Leopoldine Core’s “The Bird.”

 


 

Au bal du cosmos…

 

Au bal du cosmos la nuit des anges du ciel

Bu un coup de trop avec ses beaux yeux rieurs

Mon cœur en loterie tarot computer

Tout tourne dans le manège pour l’essentiel

 

Du sommet de la colline de Prénestre

La fortune dorée sourit au matelot

De la belle fable la lie est mon lot

Seul sous les lampions ou sans toi ne pas être

 

Ne comptez pas sur moi pour le mât de cocagne

Les pieds dans le tapis à qui perd gagne

Le sacrifice est bien l’action de l’amour en tout

 

Méduse cache son cœur en montrant ses seins

Lumières éteintes sans rémission ni fin

Prends le métro Barbès et sors à Tombouctou

 

—Martial Raysse, 1985

 

©2014 Martial Raysse / ©2014 kamel mennour, Paris/London.

 


 

THE BIRD

 

What woman.

 

Marilyn e morte

 

permanently dead

or permanently mortal.

 

a harsh face chuckling

a warbling sound

 

scattered applause

 

a flap door shutting

a paper flag

 

OH

 

What woman

 

rolling a TV around

from room to room.

 

It might not be narrative

just things

 

happening.

 

Pure red and luminous red.

Cosmos pink and opera.

 

It reminded me

of interruption

Like being bad

 

Not keeping still.

 

Hammer noise and the people

ignoring it

 

I don’t really know

 

what is going

to happen.

 

Inserting a look

not always listening

 

OH

 

singing, indistinct

 

What woman

 

cooking an empty pan

all night

 

Laughing and screaming

 

the naked planet

 

whoever she

was

 

a roundish face

 

that knew

itself

 

OH

 

Is a woman a boy against God?

 

I think she must be.

 

sunshiny

with secret corridors

 

hopping out

of her seat

 

It’s political

 

Interruption is.

 

a spitty kiss

a centipede

 

on your car

your guitar

 

OH

 

What woman.

 

—Leopoldine Core, 2018

 

© Leopoldine Core

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