Gego: Autobiography of a LineExhibitions
Gego: Autobiography of a Line
Dominique Lévy is pleased to present Gego: Autobiography of a Line, the second in a pair of exhibitions celebrating the legacy of German-born Venezuelan artist Gego (Gertrud Goldschmidt [1912 – 1994]). Organised in collaboration with the Fundación Gego, Autobiography of a Line is the artist’s first solo exhibition in London, and includes a selection of works spanning her career. Notably, three monumental sculptures made in the 1970s, which embody the palpable sense of entropic geometry and spatial play for which Gego’s work is internationally recognised, will be on view. These sculptures find their parallel in the artist’s towering wire Chorros, which were displayed in the New York exhibition last autumn. Also in the London installment are a selection of ink drawings on paper and late works that complicate and question the relationship between drawing and sculpture such as Dibujos sin papel (Drawings without paper), Acuarelas (Watercolours), and Tejeduras (Weavings). The exhibition includes loans from the Museu d'Art Contemporani de Barcelona (MACBA), the Museum of Fine Arts Houston (MFAH), and the Fundación Gego.
Selected Works
Video
Gego: Autobiography of a Line at Dominique Lévy London
March 22, 2017
May 25 – July 30, 2016
Dominique Lévy presents Gego: Autobiography of a Line, the second in a pair of exhibitions celebrating the legacy of German-born Venezuelan artist Gego (Gertrud Goldschmidt [1912 – 1994]). Organised in collaboration with the Fundación Gego, Autobiography of a Line is the artist’s first solo exhibition in London, and includes a selection of works spanning her career. Notably, three monumental sculptures made in the 1970s, which embody the palpable sense of entropic geometry and spatial play for which Gego’s work is internationally recognised, will be on view. These sculptures find their parallel in the artist’s towering wire Chorros, which were displayed in the New York exhibition last autumn. Also in the London instalment are a selection of ink drawings on paper and late works that complicate and question the relationship between drawing and sculpture such as Dibujos sin papel (Drawings without paper), Acuarelas (Watercolours), and Tejeduras (Weavings). The exhibition includes loans from the Museu d'Art Contemporani de Barcelona (MACBA), the Museum of Fine Arts Houston (MFAH), and the Fundación Gego.
Publications
Selected Press
Blouin Artinfo | Gego’s Liminal Lines at Dominique Lévy London
June 16, 2016
Lupita | Gego: Autobiography of a Line
June 2, 2016
Art + Auction | Artist Dossier: Gego
May 1, 2016
The New York Times | Review: ‘Gego: Autobiography of a Line’ Highlights a Sculptor’s Kinetic Work
October 8, 2015
The New York Times | Kinetic Works by the Artist Gego Are Headed for 2 Shows
July 23, 2015