GEORG BASELITZ
Gertrud`s Hut I, 1998
Paintings don’t bite, at least they don’t nip you in the calves as dogs do, but they do do something, they can turn your head. A motif, on the other hand, may well bite, come rain or shine. Paintings with a motif which is turned upside down force the viewer to do a somersault, if they are particularly good. Paintings hang securely on a hook, and whatever hangs down is a testimony to gravity. Whatever is depicted on such a painting, especially if it is upside down on it, doesn’t hit the ground, it is just more visible and hits the eye.
—Georg Baselitz
Georg Baselitz
Gertrud’s Hut I
1998
Oil on canvas
89 3/16 x 64 3/4 inches (226.5 x 164.5 cm)
© Georg Baselitz
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GEORG BASELITZ
Gertrud`s Hut I, 1998
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Carol Rama
Senza titolo, 1967
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GEGO
Sin título, 1961
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GÜNTHER UECKER
Feld (for Ezra Pound), 1999
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JESÚS RAFAEL SOTO
Leño, 1994
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Pat Steir
The Austria Group, No. 9, 1991
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RICHARD DIEBENKORN
Untitled, 1984/92
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SENGA NENGUDI
Masking It, 1978–79
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TSUYOSHI MAEKAWA
Untitled (A5), 1963
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ZAO WOU-KI
Untitled, 1949