Holding 7 - Lévy Gorvy

Martial Raysse's painting of a woman broken down into cubed sections

Martial Raysse. Dans la suite des tableaux à géométrie variable, ce tableau est en vérité un film d'animation, 1966. Moveable plexiglass elements. 78 3/4 x 228 3/8 inches (200 x 580 cm). © 2019 Martial Raysse / Artists Rights Society (ARS), New York / ADAGP, Paris

Holding 7

2019

Oil on canvas
51 3/16 x 31 1/2 inches (130 x 80 cm)
© Jutta Koether

An uncanny association binds the latter’s title, “Holding,” to the German word “Haltung,” which denotes both an attitude and a state of complete concentration. Koether’s curtains double as membranes: permeable skins that at once separate and join her to her cultural milieu, allowing influences to pass through and leave their marks. Such notions of transmission and absorption develop from the work of Katherine Mansfield, a modernist writer who was part of the London circle around Virginia Woolf. Mansfield’s vivid accounts of hue, shape, and sensation, both in her observations of everyday life and in her reflections on Impressionism and Paul Cézanne’s apples, deeply influenced Koether, contributing to the centrality of the color red and organic, rounded forms within her oeuvre.

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