CAROL RAMA
Presagi di Birnam, 1994
Macbeth shall never vanquish’d be until
Great Birnam Wood to high Dunsinane Hill Shall come against him.
—William Shakespeare, Macbeth
By turns perverse and subversive, Carol Rama’s work stands ahead of its moment, anticipating present-day debates on the aesthetic intersections of sexuality, representation, and power. Comprised of two dark canvases conjoined with a richly patinaed sheet metal, Presagi de Birnam (Birnam’s Premonitions, 1994) incorporates the inner tubes of bicycle tires, alternately splayed flat and hung from a hook. From a series with titles that reference the three witches of Shakespeare’s Macbeth Presagi de Birnam references an amalgam of interstitial spaces in personal, social, and literary realms.
CAROL RAMA
Presagi di Birnam
1994
Rubber inner tubes, synthetic fabric, iron hook, and iron plate
53 1/8 x 23 5/8 inches (135 x 60 cm)
© Archivio Carol Rama, Torino
-
Film | Brett Gorvy & Bona Yoo
-
TOM WESSELMANN
Bedroom Painting No. 44, 1981
-
GEORGE CONDO
Untitled, 2017
-
Private: GÜNTHER UECKER
Weisses Feld, 1987
-
PAT STEIR
Wish Waterfall, 1991
-
TERRY ADKINS
Mvet Majestic II, 1989
-
Private: PIERRE SOULAGES
Peinture 65 x 92 cm, 1 mai 1988
-
LUCIO FONTANA
Concetto spaziale, Attese, 1961
-
TERRY ADKINS
Ars Memoria Alexandria, 2012
-
CAROL RAMA
Presagi di Birnam, 1994
-
ENRICO CASTELLANI
Superficie rossa, 2006
-
FRANÇOIS MORELLET
52 x 4 n°11 Quand j’étais petit, je ne faisais pas grand (d’après “Lignes grises et noires”, 1952), 2006
-
MICHELANGELO PISTOLETTO
Onda, 2010
-
MARIO SCHIFANO
Particolare di esterno, 1962
-
GEORG BASELITZ
Dystopisches Paar, 2015
-
ENRICO CASTELLANI
Untitled (Superficie blu), 1961
-
JUTTA KOETHER
Some Esoteric Sipping, 1986
-
GÜNTHER UECKER
Doppel Spirale, 2012
-
FRANCESCO CLEMENTE
Night (Ex Libris Chenonceau), 1994
-
SENGA NENGUDI
Rapunzel, 1981
-
JUTTA KOETHER
Edie, 1983
-
FRANCESCO CLEMENTE
A Story Well Told I–XXI, 2013