Joan Mitchell

A preeminent American Abstract Expressionist painter, Joan Mitchell developed a gestural vocabulary and a mastery of color that were singular among her peers. She took a synesthetic approach to landscapes and figures alike, conceiving each gesture to be a translation of a feeling stored in memory. She sought, in her words, “to paint what [nature] leaves me with.” Born in Chicago in 1925, Mitchell attended the School of the Art Institute of Chicago and spent a fellowship year in France before moving to New York in 1949. There, she joined the exclusive Eight Street Club and was included in the famous 9^thStreet Show in 1951, which marked the ascendency of Abstract Expressionism. By the end of the ’50s, she was regularly exhibiting at Eleanor Ward’s Stable Gallery. In 1955, Mitchell began living part-time in Paris, and in 1968 she settled in the village of Vétheuil, northwest of Paris, where she worked continuously until her death in 1992. For the duration of her five-decade career, her commitment to gestural abstraction was unwavering.

Mitchell’s first institutional solo exhibition was held in 1972 at the Everson Museum of Art, Syracuse, New York. Subsequent museum presentations during her lifetime were held at the Whitney Museum of American Art, New York (1974, 1992); Musée d'Art Moderne de la Ville de Paris (1982); Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York (traveled to Corcoran Gallery of Art, Washington, DC; San Francisco Museum of Modern Art; Albright-Knox Art Gallery, Buffalo, New York; and La Jolla Museum of Contemporary Art, California; 1988–1989). In 2002, the Whitney Museum of American Art, New York, organized a retrospective of Mitchell’s work, which traveled to Birmingham Museum of Art, Alabama; Modern Art Museum of Fort Worth, Texas; and Des Moines Art Center, Iowa. In 2015, Joan Mitchell Retrospective: Her Life and Paintings was presented at Kunsthaus Bregenz, Austria, and subsequently traveled to Museum Ludwig, Cologne.

Eternal Seasons: Part II 春華秋實：第二篇章

Hong Kong

April 28 - May 31, 2021

Selected Press

mookmeart | 3点钟的12只鹰 | 琼·米歇尔

June 18, 2021

2021年，琼·米歇尔 (JOAN MITCHELL 1925-1992年)，作品《3点钟的12只鹰》创下香港巴塞尔销售最高单价作品：1950万美元。

Joan Mitchell

Joan Mitchell

Exhibitions

Eternal Seasons: Part II 春華秋實：第二篇章

Selected Press

mookmeart | 3点钟的12只鹰 | 琼·米歇尔

Süddeutsche Zeitung | Zurück, aber anders

艺术中国 | 疫情之下，危机还是契机？2021香港巴塞尔实体展回归

artnet 资讯 | 全息技术与加密货币支付：今年的香港巴塞尔是否是“未来艺博会”的雏形？

Die Presse | Kunstwerte

CoBo Social | Art Basel Hong Kong Ends On A High Note, Have They Struck The Winning Formula?

Il Sole 24 Ore | Art Basel torna live a Hong Kong

artnet news | Price Check! Here’s What Sold at Art Basel Hong Kong 2021—and for How Much

Artsy | What Sold at Art Basel in Hong Kong 2021

Ocula | $20m Joan Mitchell Leads Sales at Art Basel in Hong Kong

Hong Kong Tatler | What Sold At Art Basel Hong Kong 2021

ART News | At Art Basel Hong Kong, Positive Energy and Strong Sales Prove Ascent of Asian Art Market

The Art Newspaper | 'It’s impossible to compare 2019 and 2021; it’s a completely different world': what has sold at Art Basel in Hong Kong

在艺App | 首日斩获3000万美金，谁是回归后的2021香港巴塞尔VIP日销售Top?

Ocula | Ocula 报告｜2021 ABHK 巴塞尔艺术展香港展会 亮点作品

ART News | $20 M. Joan Mitchell Painting Sells During Art Basel Hong Kong’s Early Hours

The Art Newspaper China | ABHK 2021|巴塞尔香港回归，谁是市场主力军？多中心化的亚洲艺术格局正在形成

Hi艺术 | ​梵高、莫奈之后，厉蔚阁带来了哪些市场热门艺术家？

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Specializing in Works By

Ocula | Ocula 报告｜2021 ABHK 巴塞尔艺术展香港展会亮点作品

Hi艺术 | 梵高、莫奈之后，厉蔚阁带来了哪些市场热门艺术家？